Iago’s short lines sound like threats: ‘Speak within doors’ (IV.2.146) and ‘You are a fool, go to’ (IV.2.150). He believes women are lustful creatures that shouldn't be loved nor trusted. Iago even says that her “nature will instruct her in it and compel her to some second choice” (2, 1, 255-256). In act 4, scene 3, Emilia delivers an impassioned monologue about the expectations and perceptions of women prevalent in Jacobean England. Quotes to show Iago's scheming becomes darker & Iago being the "opportunist" "Do it not with poison. Do thy worst: This deed of thine is no more worthy heaven Than thou wast worthy her. If he say so, may his pernicious soul Rot half a grain a day! (3.3.304-319) It seems as though Emilia is a character that is used when convenient to further the plot. Ha! V,2,3494. Give it me. As for men, anyone giving his heart (or life, as in Rod's case) to a woman is a fool. Iago: Hast stol’n it from her? lago has neither the desire nor the ability to love anything or anybody. Iago also is not only bitter at being overlooked for promotion, but also because he believes that Othello has bedded his wife, for which he also wants revenge: ‘Till I am evened with him, wife for wife-‘ (Act 2 Scene 1) Emilia is regarded merely as a possession, and just like Desdemona, has no say in the matter. [A1S1] Emilia. Strangle her in her bed, even the bed she hath contaminated" "wether he kill Cassio, Or Cassio him, or each do kill the other, Every way makes my gain" 15 Quotes to show Iago kills Roderigo Sure enough Iago doesn't want any woman getting in his way and warns other men to avoid them. Talking to his wife Emilia, Iago says: “You are pictures out of doors, Bells in your parlors, wild-cats in your kitchens, Saints m your injuries, devils being offended, Players in your housewifery, and housewives’ in your beds.” (Act 2, scene 1) In this quote, Iago summarizes the woman’s circle of responsibilities: housework and sex. V,2,3498. he lies to the heart: She was too fond of her most filthy bargain. Anthony Brennan 1986 Many explanations have been given for the recovered stature which Othello achieves at the end. [A1S1] ‘the old black ram is tupping your white ewe!’ Iago-Desdemona is seen as property ‘your’ but also sexualised, her choice to be with Othello is seen as a violation. 86. My friend, thy husband, honest, honest Iago. Examination Questions on Othello Question: What is the relationship between Iago and Emilia? lago uses Emilia as his tool; she is cared for only in so far as she is of use to him. Emilia loves Iago with all her heart, but however realises that Iago’s plan to destroy Othello is wrong and will tarnish Desdemona’s life. Everybody calls Iago honest once or twice, but with Othello it becomes an obsession; at the crucial moment just before Emilia exposes Iago he keeps howling the word out. Emilia: No, faith, she let it drop by negligence,/ And to th’advantage I, being her, took’t up. Iago’s public treatment of Emilia is as dismissive as the way he speaks to her in private. Iago believes that the longer she stays with Othello, the more her “delicate tenderness will find itself abused, begin to heave her gorge, disrelish and abhor the Moor” (2, 1, 253-255). Iago is a sexist in every aspect of the word. The third female character in the text is Bianca. Desdemona as beautiful daughter is seen as prized possession. Iago: A good wench! 85. Emilia. Othello. Iago-presents Desdemona as an object owned by her father, almost irrelevant in list of stolen objects. 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